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According
to the American
Heritage® Dictionary, “a DJ or Disc / Disk
Jockey is an announcer who presents and comments on popular
recorded music, especially on the radio.” The type of DJ
defined there is the broadcasting DJ, so if that is what you
are seeking to learn you are in the wrong site; to learn how
to be “that”, you would have to go to college and study
broadcasting. This site is for those of you who just want to
learn how to spin, beat match, and mix “music”. Radio
Jungla’s Definition of a DJ or Disc / Disk Jockey is:
Anyone who
manipulates a song in whatever method, using whatever
instrument, can be considered a DJ.
Formats
There are
many formats of music out there which are friendly and
affordable enough for anyone to be able to become a DJ.
These
formats are:
- Record
or Vinyl
- CD
- MP3
- Cassette
- Mini
Disc
- DAT
- Reel
to Reel
The level of difficulty and maneuverability of these formats
may vary due to the availability of products which will
support them and the flexibility of manipulation. By
manipulation we refer to the most important feature the
product must have, Pitch
Control.
Pitch
Control
The
pitch control is the part of the instrument where the DJ
speeds up or slows down the music. It can also be called
“Tempo Control”. It is usually a lever that looks like a
fader in a mixer. You
could still be able to DJ without it but a true beat
matching DJ would not go for anything less.
Instruments
- Turntable
- Records, Vinyl, Acetate
- CD
Player - CD, CDR, CDRW recorded in music format
- MP3
Player – MP3, WMA, CDR MP3(if MP3 CD player may also
play regular CD with music format)
- Computer
– MP3, CD, CDR, CDRW, DVD, DVDR, DVDRW(depends on
computer)
- Tape
Deck – Cassette
- Mini
Disc Player – Mini Disc
- DAT
Player – DAT
- Reel
to Reel – Reel to Reel Tape
- Mixer
- The Center of every DJ console must have the Mixer.
That is the instrument used to blend one song with
another song using the faders.
DJ
Cockpit
The mixer
is situated in between the turntables. It is setup that way
so that while you manipulate the mixer you can comfortably
access the turntables. You would also like to put any other
devise used in the mix close to the mixer like a dual CD
player. Any other instrument like the recorders, amps, EQs
are set up more distant because they are not used as often.
The Records or CDs Must be set in boxes as close as
possible to the turntables and CD player.
All Records and CDs must be appropriately labeled
with the necessary information for you to be able to quickly
find and organize them.
The
information this label should contain is:
- Title
- Artist
- RPM
(on a vinyl record or acetate)
- Versions
or mixes it includes
- Location
where the versions or mixes are (on a vinyl record or
acetate side a or B)
- Duration
of each version or mix
- BPM
for each version or mix
- There
are different ways of finding out the BPM for each
song
- The
traditional way – counting the beats for a
whole minute
- BPM
chronograph – Like a chronograph but in
shorter time calculates
- A
taper – either a hardware by itself or a
software program that activates and calculates
by taping a button
- BPM
counter rack mount – connected to the
turntables or the instruments that go to the
mixer automatically calculates the BPM in real
time (Many sophisticated mixers, turntables and
cd players may come with this feature
installed.)
The
Versions or mixes of the songs
There may
be different versions or mixes of the same song in a 12”
Single CD Single and even on Regular CDs. This are the most
common ones found these days.
- Radio
Version or 7” Version
- Club
Mix
- Re-Mix
- Dub
- Bonus
Beats or rhythm track
- Acapella
- House
- Techno
- Drum
n Bass
- Jungle
- Trance
- Hip
Hop
- Trip
Hop
- Ambient
- Garage
- Gaber
Now that you have labeled your records you can start
choosing and organizing them for the mix.
The
Mix
This is the
most important part of the whole process of being a DJ.
Without mixing skills you are still a DJ but not the type of
DJ you’ll find at a club.
Mixing may
be done in many different ways but for any of them it is
necessary to have clear the concept of compass, which in
disco music is 4/4. Each compass is united by groups of
compasses that could be formed of
8-16-32
times. Usually the entry point of the instruments, effects,
or even voice will occur at the first (1) count.
Types of Mixes
- Synchronized
Mix
The
cleanest way to make a mix, apart from synchronizing the
rhythm at BPM, is achieving that both records coincide from
beginning to end , logically, in the break of both songs,
the central break on the one mixing out and the beginning
break of the one to mix in.
·
Procedure:
a.
Turntable no.1(T1) is already spinning the
first song
b.
Put the record that has the second song on the
turntable and put the needle at the beginning of the track
c.
Set the cue channel on the mixer to listen to
turntable no. 2(T2) (the second song)
d.
Put on your headphones so that you listen to
the record you are going to mix in and in the right the one
that is already playing.
e.
Get the song on T2 ready in the first beat and
wait for a first beat on T1. Try to anticipate when its
coming so it doesn’t catch u off guard. (If possible try
to use the breaks on both T1 and T2.)
f.
Try to synchronize the rhythm shifting lightly
the speed on T2 by moving the pitch leveler depending on the
speed of the song already playing you may have to slow down
or speed up the song.
The
Skills
For
a DJ to be a Great DJ, he/she must be dominant, capable, and
outstanding in all the aspects of the mix. This means he/she
must practice intensively on these skills:
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